Lady Liberty has been faced with her own reflection and now must choose; stay the same or face the ego. She is swept away to the land of Oz, where her strongest qualities personified assist her in this duel.
In learning about herself, LL has come to understand how much of what she boasts to be unique to her land, comes at the cost of others, is borrowed or stolen, and is not welcoming to all. It was for this reason I chose to begin the video with Tere Mere Beech Mein. The song, from the Bollywood film Ek Duuje Ke Liye, served as inspiration forToxic, unbeknownst to most who celebrate it. It speaks on the appropriation, lack of acknowledgement for said appropriation, and the ostracization of those who culture is borrowed from.
The Wizard of Oz serves as a backdrop. In my mind, the film centers around one’s personal development and some degree of “enlightenment”. The Tinman, Scarecrow, and Lion all serving as areas where once Dorothy felt scarcity (heart, wisdom, courage), but through facing fears, she is shown that she has had them all along. May we all come to that realization for ourselves.
The Wicked Witch serving as the ego; the aspect of one that attempts to keep them in a perpetual state of fear and hesitation. Facing the ego is a path to growth for us all. May you one day brave that journey, my friend.
I love you.
Heaven on Earth
SBCNSLY is one those songs that when I heard it, I felt the spirit of instant recognition. Before I even knew what this song was about, I knew it was me. A story came rushing to my mind, one not fully apparent in the video (which I enjoy), and I would like to share that story with you. It feels… It is… personal.
My initial idea consisted of a woman at a celebration of sorts, perhaps somewhere in South America. In my mind, it was Brazil. And she was enjoying herself, dancing and laughing during a festival. This was a big festival, one that everyone looked forward to. And she was the belle of all balls. To watch her dance and laugh, was to be inspired.
In all her joy, she turned around to see her significant other kissing someone else. And, feeling so hurt, she was unable to allow herself to accept that it happened, to show any signs of acknowledgement. Although, it slowly becomes apparent to all.
So, she continued dancing… Forever. She never stops, because she knows if she stops, she must face this reality. And so she dances her way out of the festival, down the street, across the city, for all eternity. Smiling and dancing. She becomes mythological. Everyone knows her story. It’s perhaps the first story children are ever told. And she does all this, to keep from feeling the inevitable pain.
For me, this represented a fear that has always lingered in my mind. One that I will someday face. Increasingly people are beginning to accept the idea of an open relationship and I always feared that my partner would find someone of greater privilege and social ranking and fall in love with it. Not them, but the access, the visibility, etc and leave me. This is not an original fear, but has shown its face here and there. But, I plan to face this fear head on, when that day comes.
Being in quarantine, having a film crew of just me, and having the time restraint of about 24 hours, I decided to simplify, to adjust the story. And so it became a combination of hers and mine. For me, it was about the fear of vulnerability. Just as the song… songs. I imagined myself in a wedding dress on my wedding day, wondering if I could actually do it. Be myself. Be goofy. Be focused. Be loving. Be Me. And be accepted by this person. Truly accepted, or would, upon seeing all that is me, they begin to judge me and turn me into their enemy. I imagined being so frightened of this, that I became a giant, out of pure frustration, looking out over the city, watching people, wondering how any of them manage to be so vulnerable. And the backup dancers, I imagine were her. The beautiful woman from Brazil, coming to support me in my lament.
May we all face our illusory fears and grow into that which we are truly meant to be.
I love you.
Six weeks ago, I started making micro-films and music videos at home, with no formal training and just my laptop. Here’s where I’m at now.